Celebration of a Fighting Film Director: One Hundred Years After the Birth of Juan Antonio Bardem

The first Spaniard to be nominated for an Oscar and a leading figure in European copyright cinema in the 1950s and 1960s, this Wednesday marks the centenary of the birth of Juan Antonio Bardem (Madrid, 1922-2002), director of films such as. Death of a cyclist (1955) and ᲛHome Street (1956).

The platform of Filmoteca Española, Cineteca, Seminci de Valladolid and Flixolé are the organizations that celebrate the anniversary with a special program dedicated to the director, who stands out for his socio-political commitment to his cinema and life.

During June, July and August, Filmoteca will dedicate a full retrospective to it Which will open this Wednesday with audio fiction based on the never-before-shot sequel ᲛHome Street, Starring Lola Herrera and Joaquin Notary and created in collaboration with RNE. The sequel, which will be recorded at Madrid’s Dore Cinema from 9pm and broadcast live on Radio 3 and RTVE Play, features characters from the original work, shooting against conventions in provincial cities, and imagine what. They have become them over the years.

The same day Cineteca will host Screening of a documentary about his life, Bardem, Warrior VitalistDirected by Alberto Bermekho and David Heranz, followed by a discussion with the directors and Juan Bardem, the filmmaker’s son. The film can be viewed on Sunday in La 2 on Essentials.

In addition, the Flixolé platform will re-release a restored copy of its solo debut. Comedians (1954), a bitter and romantic story about traveling theaters, which he includes in his collection of filmmaker’s masterpieces.

And already in October Valladolid International Film Week will remember his figure by showing it That happy couple (1951), With the death of the cyclist, Kale Mayor, nothing happens (1963), At five o’clock in the afternoon (1961) and Bridge (1976).

Current genealogy

The son of actors Rafael Bardem and Matilda Munio Sampedro, Pilar Bardem’s brother and actor Carlos, Monica and Javier Bardem’s uncle, Juan Antonio started his profession at the hands of Berlanga, whom he met at the Film and Research Institute of Cinematography. , The first film school.

Co-director That happy coupleA comedy about the plight of a married couple starring Fernando Fernand Gomez and Elvira Quintilla, who dream of changing their lives by being selected for a soap brand promotion.

In 1955, Bardem premiered one of his most famous works. Death of a cyclist (1955), a drama film hint at the International Film Critics Award (FIPRESCI) in Cannes, a story that reddened Franco’s bourgeoisie about a teacher and his lover, a married woman who kicks a cyclist and them. Decide to hide so that adultery is not revealed.

Next year, ᲛHome Street He returned with the FIPRESCI of the Venice Film Festival and in 1958 ᲨReturn, The anthem about reconciliation in the Mickey Gang, selected at the Cannes Film Festival, also became the first Spanish film to be nominated for an Oscar.

Bardem is also the co-author of the screenplay Welcome Mr. Marshall (1953) and from Sonatas (1957), with texts by Valle Inklan and starring Maria Felix, Aurora Bautista, Fernando Rey and Paco Rabal.

In the Communist Party, his fighter caused him to have a constant confrontation with Franco’s censorship, until he was almost turned into ostracism. To stay active, he participated in less personal co-production before the advent of democracy.

Since the 1970s Varieties (1970) – with Sarah Montiel and Vicente Para, Mysterious Island (1971) – with Omar Sharif, Corruption by Chris Miller (1971) – with Marisol, The power of desire (1975), also with Marisol.

In freedom he returned to his most devoted cinema Bridge, A Road movies On a motorcycle starring Alfredo Landa showing the Transition changes or Seven days of January Based on the massacre of Atocha’s lawyers and awarded at the Moscow Festival.

Warning (1982) he said goodbye to cinema for eleven years before returning in 1997 with the final result, starring Mar Flores and 1998 feature film. Lorca, Death of a Poet (1998), with the same title as the TV series he made for television.

For television, in addition Lorca, Death of a Poet, Rolled National episodes (1989) – Directed by Antonio Betancor and Angelino Von – and Young Picasso (1992), for which he won a gold medal at the 1994 New York Film Festival in miniseries.

Known as one of the three great Bs of Spanish cinema, along with Buუuel and Berlanga, his professional career has been awarded a Gold Medal for Fine Arts, a Special Gold Award from SEMINCI or an Honorary Goya for his entire film career. In 2002. This year, when he died at the age of 80.

Source: El Diario





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