The rise of artificial intelligence has become one of the major issues of our time, and culture is one of the areas affected by its rapid development. In the world of film, it’s one of the main points of the screenwriters’ and performers’ strike that has paralyzed Hollywood, as both unions fear it could change their work. something that, according to Stephen Fry (V for Vendetta, Gosford Park), has already passed. The actor claimed this Monday that an artificial intelligence used his Harry Potter audiobooks to use his voice without his consent.
The comedian played a segment of the historical documentary, believed to be narrated by himself, during an appearance at London’s CogX festival. “I did not say any of these words. “It was a car,” he said after hearing it. “I was shocked. “They used the seven volumes of the saga that I had read and from that basis they created an artificial intelligence of my voice that created this new narrative,” he said.
Furthermore, he warned, it’s “nothing” compared to the AI-infused context that’s coming. “Technology is not a noun, it’s a verb. “He’s always on the move,” she defended to the public. “What we have now is not what will be. When it comes to AI models, what we have now is advancing faster than any technology we’ve ever seen. “We can agree that it’s a wonderfully strange time to be alive,” they say deadline that he exposed.
Fry shared that when creating an artificial voice, words are modulated to adapt the meaning of each sentence. “He could read me anything from a call to storm parliament to heavy pornography. All without my knowledge and without my permission. And what you have just heard was done without my knowledge. When I found out, I sent it to my agents on both sides of the Atlantic, and they were furious: they had no idea something like this was possible.”
“It’s audio, but we won’t have to wait long for videos to be as compelling. “We should think of AI as the first machine: impressive but unfinished,” he warned.
Concerns about AI, actors and screenwriters
The dizzying evolution of artificial intelligence has been the focus of audiovisual professionals for some time. Hence, this is one of the big concerns that the screenwriters and actors are expressing through their strike. Translators – including dubbing artists – and other professionals fear that studios will choose to do without them and let the software do their work for them. For this reason, they demand both the use of artificial intelligence and the payment they should receive if it affects their participation in the film.
Source: El Diario
