The Ministry of Culture acquires the Berlanga archive for 357,000 euros

The Ministry of Culture and Sports purchased the archive of Luis García Berlanga for 357,000 euros. After several years of negotiations with the family, an agreement was reached, according to which 74 boxes of various documents collected during the filmmaker’s lifetime will become part of the state public collections. The material is already stored in the facilities of the Filmoteca Española, the entity responsible for its preservation and distribution.

The sale, which coincides with an auction on November 24, sold 36 lots that included paintings, graphics, watercolors and furniture. Butcher Stored at home for years. A Daniel Beck caricature of Berlanga with a camera and a pencil portrait of Luis Buñuel were among the works up for auction. Also by publishing his unpublished screenplayLong live Russia! After opening the box at the Cervantes Institute where he had deposited it.

The documentation acquired by the Ministry of Culture is “very diverse and covers Berlanga’s entire career,” according to a press release. It is one of the “most complete and complex” files received by the Spanish Film Library, from which it is believed that its conservation and future consultation may shed much light on the cultural life of Spain over the past century and one. Its most relevant art and culture figures. That same year, the Filmoteca added to its collections the archives of special and visual effects artist Emilio Ruiz del Rio and art director Felix Murcia.

Heritage is divided into various categories: personal and family documentation, creative work, labor documentation, correspondence, prizes, souvenirs and personal effects, graphic documentation, magazines and press clippings, and works created by others. Personal and family documentation includes albums with family photos, notebooks with childhood school classes, documentation of time in the Blue Division or personal memorabilia such as season tickets of Valencia Football Club or collections of Christmas cards from other film stars.

Among the boxes are also original scripts, some with annotations and ideas from Berlanga himself. There are also some versions of them from some of his most iconic films, such as This happy couple, welcome Mr. Marshall! or quiet, as well as a large number of unfinished project scripts. The archive perfectly documents the controversy and constant confrontations that Berlanga experienced with Franco’s censorship through these writings and allows us to understand firsthand its consequences in one of Spain’s most relevant works of art of the last century. There is also an extensive sample of speech and writing projects, conference interventions at congresses, academic meetings and other types of forums over several decades.

In addition to professional documentation, the archive stores correspondence with some of the main figures of Spanish cinema, such as Rafael Azcona, Juan Antonio Bardem, Basilio Martín Patino, Luis Siguez or José Luis López Vázquez. Added to this are over a hundred prizes and awards, as well as memorabilia and personal items, such as documentation of the 1962 Academy Awards ceremony, in which quiet It was nominated for Best Foreign Language Film.

Graphic documentation also features prominently in the filmmaker’s legacy, and the boxes contain paper positives, negatives and slides of personal, family and professional photographs, as well as institutional and political acts and stills from many of his films. Among the documents are also a number of paintings by Berlanga with a wide variety of subjects. Some of them are erotic, while others are simply characters, objects or comics. They are made on a wide variety of supports and with a variety of techniques such as charcoal, watercolor or marker. There are also notebooks with “storyboards” like this one Welcome Mr. Marshall!“Or one KalabuchiAlso laid out plans like that That happy coupleand location search graphic files.

This group is complemented by a collection of film posters, both his own and those of others, as well as from film festivals, plus promotional materials for his films. The archive also has press clippings, newspapers and photocopies of articles with interviews and information about the films of Luis García Berlanga published in various publications.

Source: El Diario

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